"Saying goodbye doesn't mean anything. It's the time we spent together that matters, not how we left it."
Trey Parker
On the last day of WIFW, the feeling of nostalgia creeps in almost everbody. Most of the designers leave on a happy note, some not that good but with a feeling of making it better next time, some have mixed feelings. But the crux of the story is, everybody is moving and marching to achieve a goal, conquer a dream, or win over people hearts.
The last day saw collections of 12 designers, the day started with young designer Raj Shroff and the much awaited grand finale was done by The Ritu Kumar.
Here is my pick of the day from Day 5:
Pia Pauro:Isola Pia
Isola Pia – translates into Pia’s Island in Italian, a flirty, fun and sexy collection ideal for an exotic resort holiday. It is first ever that Ikat prints are used on swimwear, jute beach bags with ornate Ostrich feather trimmings.
Pia loves colours, running riot, in bold greens, bright pinks. Sequinned kaftans and bikinis, party Sunset cocktail dresses. Embroideries inspired from Sind playing on pencil skirts, cotton dresses, and brunch specials. Sunset dresses to be worn till sunrise bling cocktail dress inspired from French Polynesian motifs. The first print in verdant green and brown, is inspired by Coconut groves.
The second print, playing on black, white, pink, and blue is inspired by ancient body art.Fabrics like silk satin, silk georgette and cotton silk with the perfect match of ease and luxe to it.
The accessories were the interesting part of Pia's show, they were having looks of colourful feathers as earrings. The same feathers were used on high heels to give oneness to glam the dresses.
Wearable quotient:7/10
Virtues by Viral, Ashish & Vikrant: Moroccan Princess
The “Moroccan Princess” takes you to a world of exotic Middle Eastern glamour, inspired by the Moorish art and design of the Marrakesh. Abundant in rich colors and warm spice, the summer collection is the lavish oasis of luxurious silks and prints in saturated tones that pop sparkling silver metallics. Brilliant hues of sunshine yellows, salmon pink, sea green, beige, ivory and indigo are stunning against accents of coral, olive and black. The vivid colors and high shine lend a 70’s influence with the sleek and flowing lines of flowing silhouettes. Digital prints, summer dresses, kaftans and robes combine for an opulent look. The collection is a spectacular cocktail of bold 70’s glamour and the rich sensual mystery of Morocco.
wearable quotient: 6/10
Hemant & Nandita:Kaleidology
Designer duo Hemant & Nandita presented a sporty collection. On white base X-ray prints of Hibiscus, Rose, & tulips were used which gave a very fresh feel & appeal to the collection. Models walked the ramp with white excecise band on head giving it more sporty & fun look. Fabric used were Organza, opaqueness with thick crepe. The collection had shorts, peplum tops, shirts, pants, body suits.
Wearable quotiuent for summer- sping: 6/10
Grand Finale': by Ritu Kumar
Ritu Kumar's show for Grand Finale' was grand & synomym of splendour in true sense. The ramp was turned out to be an entry gate of a palace, the sides of the hall were turned into "Mehrab". On those Mehrabs 6 screens were placed where the show began with a short 2 minutes movie depicting her "Karigar" mental conditions, they think about work, work & work. Later there movies alongwith the show featuring ace model Sonalika sahay in Ritu ji's different-2 collections. Their were 4 D picturisation.
The show began with Label Ritu Kumar, her casual contemporary dress collection. The dresses were classy, fabrics and prints being her forte', were stylish & soothing.Using the motifs and moods of the era, the pieces are crafted to offer a modern representation. Dropped waists, bold forms and delicate embroideries are juxtaposed with modern techniques and shaping. The collection is very graphic. Fabrics are predominantly silks in chiffon, crepe and twill. The mood is svelte eveningwear and embellishments exude themes and inspirations from architecture. Blazing colors, rich deep inks, bold and elegant lines made possible by treatments like serigraphy and lithography spell glamour, romanticism and wit.
Before the 2nd half, a ball dance sequence by 4 couples were presented on ramp on Late actor Shammi Kapoor's hit song "Baar dekho,hazaar baar dekho......". It put the mood of the audience in tandem and joy.
The second half of the show draws inspiration from the Indian Freedom Movement and the colonial era and dips into the romance of the 1930's. Using the rich design heritage of Ritu Kumar Couture, the collection draws from the European influence on Indian royalty during the pre-partition period. This results in the use of rich tapestries, laces, brocades and embroideries. The interpretation of the theme uses expert workmanship of the atelier. It carries forward the vintage mood of the previous segment but in its Indian avatar. The geometric motifs form graceful curvilinear feminine lines of paisleys and chintzes in luxurious colours.
The collection ends with a regal collection of gold, black and jeweled ensembles reminiscent of the India of the mid 20th century with its Baroque influences and distinctive style of Indo European fashion.
The distinctive element of the show is the showcasing of the wide range of the Ritu Kumar brand at one event. Both history and the future of the brand have been made available on one platform and the appeal is aimed across generations and tastes through a lavish and adventurous presentation.
Trey Parker
On the last day of WIFW, the feeling of nostalgia creeps in almost everbody. Most of the designers leave on a happy note, some not that good but with a feeling of making it better next time, some have mixed feelings. But the crux of the story is, everybody is moving and marching to achieve a goal, conquer a dream, or win over people hearts.
The last day saw collections of 12 designers, the day started with young designer Raj Shroff and the much awaited grand finale was done by The Ritu Kumar.
Here is my pick of the day from Day 5:
Pia Pauro:Isola Pia
Isola Pia – translates into Pia’s Island in Italian, a flirty, fun and sexy collection ideal for an exotic resort holiday. It is first ever that Ikat prints are used on swimwear, jute beach bags with ornate Ostrich feather trimmings.
Pia loves colours, running riot, in bold greens, bright pinks. Sequinned kaftans and bikinis, party Sunset cocktail dresses. Embroideries inspired from Sind playing on pencil skirts, cotton dresses, and brunch specials. Sunset dresses to be worn till sunrise bling cocktail dress inspired from French Polynesian motifs. The first print in verdant green and brown, is inspired by Coconut groves.
The second print, playing on black, white, pink, and blue is inspired by ancient body art.Fabrics like silk satin, silk georgette and cotton silk with the perfect match of ease and luxe to it.
The accessories were the interesting part of Pia's show, they were having looks of colourful feathers as earrings. The same feathers were used on high heels to give oneness to glam the dresses.
Wearable quotient:7/10
Virtues by Viral, Ashish & Vikrant: Moroccan Princess
The “Moroccan Princess” takes you to a world of exotic Middle Eastern glamour, inspired by the Moorish art and design of the Marrakesh. Abundant in rich colors and warm spice, the summer collection is the lavish oasis of luxurious silks and prints in saturated tones that pop sparkling silver metallics. Brilliant hues of sunshine yellows, salmon pink, sea green, beige, ivory and indigo are stunning against accents of coral, olive and black. The vivid colors and high shine lend a 70’s influence with the sleek and flowing lines of flowing silhouettes. Digital prints, summer dresses, kaftans and robes combine for an opulent look. The collection is a spectacular cocktail of bold 70’s glamour and the rich sensual mystery of Morocco.
wearable quotient: 6/10
Hemant & Nandita:Kaleidology
Designer duo Hemant & Nandita presented a sporty collection. On white base X-ray prints of Hibiscus, Rose, & tulips were used which gave a very fresh feel & appeal to the collection. Models walked the ramp with white excecise band on head giving it more sporty & fun look. Fabric used were Organza, opaqueness with thick crepe. The collection had shorts, peplum tops, shirts, pants, body suits.
Wearable quotiuent for summer- sping: 6/10
Grand Finale': by Ritu Kumar
Ritu Kumar's show for Grand Finale' was grand & synomym of splendour in true sense. The ramp was turned out to be an entry gate of a palace, the sides of the hall were turned into "Mehrab". On those Mehrabs 6 screens were placed where the show began with a short 2 minutes movie depicting her "Karigar" mental conditions, they think about work, work & work. Later there movies alongwith the show featuring ace model Sonalika sahay in Ritu ji's different-2 collections. Their were 4 D picturisation.
The show began with Label Ritu Kumar, her casual contemporary dress collection. The dresses were classy, fabrics and prints being her forte', were stylish & soothing.Using the motifs and moods of the era, the pieces are crafted to offer a modern representation. Dropped waists, bold forms and delicate embroideries are juxtaposed with modern techniques and shaping. The collection is very graphic. Fabrics are predominantly silks in chiffon, crepe and twill. The mood is svelte eveningwear and embellishments exude themes and inspirations from architecture. Blazing colors, rich deep inks, bold and elegant lines made possible by treatments like serigraphy and lithography spell glamour, romanticism and wit.
Before the 2nd half, a ball dance sequence by 4 couples were presented on ramp on Late actor Shammi Kapoor's hit song "Baar dekho,hazaar baar dekho......". It put the mood of the audience in tandem and joy.
The second half of the show draws inspiration from the Indian Freedom Movement and the colonial era and dips into the romance of the 1930's. Using the rich design heritage of Ritu Kumar Couture, the collection draws from the European influence on Indian royalty during the pre-partition period. This results in the use of rich tapestries, laces, brocades and embroideries. The interpretation of the theme uses expert workmanship of the atelier. It carries forward the vintage mood of the previous segment but in its Indian avatar. The geometric motifs form graceful curvilinear feminine lines of paisleys and chintzes in luxurious colours.
The collection ends with a regal collection of gold, black and jeweled ensembles reminiscent of the India of the mid 20th century with its Baroque influences and distinctive style of Indo European fashion.
The distinctive element of the show is the showcasing of the wide range of the Ritu Kumar brand at one event. Both history and the future of the brand have been made available on one platform and the appeal is aimed across generations and tastes through a lavish and adventurous presentation.
